![]() ![]() Now sporting an edgy blues sound, the band gigged around London using the names Blues Trip and Blues Yard before settling on Ten Years After, a name chosen in honor of 1966 being the 10th anniversary of Elvis Presley’s commercial breakout year.īy 1967, Ten Years After was melting audiences with a residency at London’s prestigious Marquee Club, during which time they honed their loud and aggressive performance style. In short order, the group attracted the attention of a manager in the form of Chris Wright, who with his business partner Terry Ellis would go on to form the Chrysalis management agency and later the Chrysalis Records label. Not long after this stint, the band expanded to a four-piece with the addition of keyboardist Chick Churchill. Trimmed down to a three-piece, The Jayhawks migrated to London and got a gig working as the backup band for the British vocal trio The Ivy League. Following Jay’s departure, Alvin Lee assumed vocal duties and the band continued to perform as The Jaybirds.ĭavid Quickmire left the band in 1965 and was replaced by Ric Lee (no relation to Alvin). This band featured rhythm guitarist Ray Cooper and drummer David Quickmire and was fronted by vocalist Ivan Jay, who left the band along with Ray Cooper in 1962. Inspired by earthy American blues and early rock and roll records, guitarist Alvin Lee and bassist Leo Lyons began playing shows together around the Nottingham/Mansfield area of northern England in 1960, initially as Ivan Jay and the Jayhawks. ![]() Good Morning Little Schoolgirl (including two false starts).Performed Sunday night, August 17, 8:30–9:30 pmįrom the 1970 feature documentary, Woodstock, Alvin Lee of Ten Years After in split-screen on the Woodstock stage. Album DescriptionCapturing the total absurdity of playing for half a million people on a farm in upstate New York, guitarist and lead singer Alvin Lee of Ten Years After announced the final song in the band’s Woodstock set this way: “This is a thing called “I’m Going Home”…by helicopter.”Ĭelebrating the 50th anniversary of the Woodstock festival, August 1969–2019 Day Three, Performer 3: Ten Years After See more Your browser does not support the audio element. "Circles" is a hippie-ish acoustic guitar piece, while "As the Sun Still Burns Away" closes the album by building on another classic guitar-organ riff and more sci-fi sound effects. It has a feel similar to the extended pieces on side one of the live album Undead. "Year 3000 Blues" is a country romp sprinkled with Lee's silly sci-fi lyrics, while "Me and My Baby" concisely showcases the band's jazz licks better than any other TYA studio track, and features a tasty piano solo by Chick Churchill. The latter was an FM-radio staple in the early '70s. "50,000 Miles Beneath My Brain" and "Love Like a Man" are classics of TYA's jam genre, with lyrically meaningless verses setting up extended guitar workouts that build in intensity, rhythmically and sonically. Cricklewood Green opens with a pair of bluesy rockers, with "Working on the Road" propelled by a guitar and organ riff that holds the listener's attention through the use of tape manipulation as the song develops. On this album, the band and engineer Andy Johns mix studio tricks and sound effects, blues-based song structures, a driving rhythm section, and Alvin Lee's signature lightning-fast guitar licks into a unified album that flows nicely from start to finish. Buy the album Starting at $12.45Ĭricklewood Green provides the best example of Ten Years After's recorded sound. Purchase and download this album in a wide variety of formats depending on your needs. ![]()
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